Therese Walsh, author of The Last Will of Moira Leahy, Shaye Areheart Books, Random House
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Author Q & A

The Last Will of Moira LeahyQ: The keris is a compelling object of folklore and becomes an important device in The Last Will. When did you learn about the properties of the keris? What is it about them that fascinates you? (Kathleen Bolton)

TW: Oh, I like telling this story.

When I started version one of this book back in 2002, I began with research, which in part involved gathering virtual items for the antiques shop, Time After Time. I had books on antiques, and I used those, but I also liked to hop around eBay for dusty treasures—and that’s where I found a keris. It looked intesting, so I added it to my list. When I decided that the first scene in the story should be at an auction house, I basically eeny-meenied the keris out of the list and stuck it in the scene. A friend later read that scene and asked about the keris; would it be an important part of the book? It sounded like a good idea, like I might even know what I was doing, so I said, “Sure!”

My research into the Javanese keris came later, and I couldn’t believe the goldmine I’d found. Nearly everything alluded to in The Last Will about the keris is documented in one place or another. It’s a weapon with a fascinating history and mythology.

What I like best is that, in the end, the keris found its way into the story in a way an empu might appreciate; it seemed fated.

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